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Of course if you looked at MTV, it was a bunch of video jocks, real people, linking and introducing music videos. Andy said, "Hey, what do you think about trying to develop a music video show for Channel 4?"
#Max headroom hacker tv#
I went to Andy Park, a pal of mine who ran a commercial radio station and became commissioning editor for music at Channel 4, which was a new embryonic TV channel in the UK. I was basically head of what they called, in those days, "creative services." Once MTV started, it totally revolutionized the dynamic of marketing and selling music … music videos sort of becoming the most important part of our armory. Peter Wagg Producer I was working for a record label. And it all began, like so many things in the ‘80s, with music videos. Thirty years after the premiere, I spoke with the writers, directors, producers, actors, make-up artists, and network executives that helped bring Max Headroom to life. Max was inescapable - and then almost just as quickly as he had appeared, he was gone.
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Max hosted music video shows Max interviewed celebrities Max hawked New Coke Max Headroom became US network television’s very first cyberpunk series. The result: the stuttering, sarcastic Max.Ģ0 Minutes into the Future kicked off an extensive franchise, and Max became a singular '80s pop culture phenomenon that represented everything wonderful and horrible about the decade. Headroom - 2.3m." Desperate to maintain ratings with its star reporter, the network enlists a young hacker to download Carter’s mind and create a virtual version of the journalist. While tracking the story, Carter is flung into a barrier marked "Max.
#Max headroom hacker movie#
Set in a near-future where global corporations control all media and citizens are hopelessly addicted to dozens of TV channels, the movie follows Carter - working for the mysterious Network 23 - as he discovers that network executives have created a form of subliminal advertising known as "blipverts" that can actually kill. Max Headroom: 20 Minutes into the Future was a snarky take on media and corporate greed, told through the eyes of investigative journalist Edison Carter (Matt Frewer) and his computer-generated alter-ego: an artificial intelligence named Max Headroom.
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On Thursday, April 4th, 1985, a blast of dystopian satire hit the UK airwaves.